SSL XL-Desk
Description
A modern twist on the classic analogue studio console.
XL-Desk is designed for tracking or mixing engineers who require an analogue console within a DAW-centric studio, but don't want or need the integrated DAW control and analogue level automation other SSL console products have made the new hybrid studio standard.
XL-Desk is in many ways a traditional 24 into 8 analogue consoles but it packs in an incredible collection of features. It has 20 channel strips: 16 dual input mono (switchable between main input or DAW return) and 4 stereo channels. The first eight channels have VHD mic pre's. There is an 18-slot 500 format rack built in that can be used for processing or mic pre's. XL-Desk ships with a legendary SSL Stereo Bus Compressor module in slots 17 & 18 (hard wired to Mix A). The rack has its own dedicated high-spec power supply. There are four main Mix Busses (A, B, C, D) with buses B, C, and D able to be summed into Mix A. The Busses and channels can access the 500 racks and each has a separate insert point for processing. There are two mono aux sends and two stereo return inputs. Direct outputs on every channel, stereo return, and mix bus enable convenient stem printing. Each channel has a Cue Stereo Bus section (with Pan and Volume) used to provide one of the headphone mixes while tracking. At mixdown the mono channel DAW return signals can be routed to the CUE ST bus and then summed into Mix A, so there are 16 main faders + 16 Cue ST inputs + 4 Stereo channels providing 40 summing inputs (using the stereo returns and insert Sum functions you can squeeze in over 50 summing inputs). There is also a fully-featured monitoring section with bass management (3 sets of speakers + subwoofer), Foldback A and B with individual talkbacks for headphone mixes and a built-in Listen Mic input + classic compressor circuit, with its own direct output.
Channel Strips
XL-Desk may be compact but it features all of the classic SSL channel strip features which make our consoles so versatile and accommodate such a wide range of production requirements. XL-Desk has 20 channel strips. The first 16 channel strips are dual input mono, meaning they can be switched between a main input and a DAW return whilst tracking. The Remaining four strips are stereo channels. Channels 1-8 have VHD mic pre's. Channels 9-16 are line-level but can use the 500 racks for mic inputs if desired. Each mono channel can access a corresponding 500 format module and also has a separate traditional Insert point. The four stereo channels cannot access the 500 racks and do not have Insert points. All of the channels have an additional Direct Output to facilitate printing processed material to your DAW and this can be switched between pre-/post fader. Each channel has a +/-20dB Trim control which can be used in a couple of ways: for VHD channels in can be used to control the output level from the VHD into the channel when using heavy distortion, when used with a 500 rack module it can be used to drive the level into the inserted module. There is a phase invert switch. Beside the Trim control is a tri-color signal indicator LED. The metering on XL Desk can be switched between +24dBu and +18dBu Scale to give the following LED settings.
Each channel has a CUE Stereo section with Level and Pan Controls and a pre/post-fader switch. When tracking this would typically be used to feed one of the headphone busses. The mono channels have an ALT button which switches the CUE ST section to sourcing its signal from an additional rear panel ALT input, which is then summed into Mix A. This ALT input means we have 32 inputs to the mono channel strips for Mixdown. There are two Mono Aux Sends (globally switchable pre and post-fader) and two Stereo Returns (the Returns also have Direct Outputs for DAW printing). Each channel has a Pan/Balance Control and buttons for routing to the four Mix Busses. Completing the channels are 100mm faders which give hands-on, precise level control.
Mix Buses
The magic of an SSL console x 4
Designed by the team behind Duality and AWS, XL-Desk delivers the kind of stunning audio quality only associated with SuperAnalogue SSL consoles. XL-Desk provides the sought-after separation, clarity and punch behind thousands of hit records made on SSL consoles. Everyone agrees that the sonic magic of an SSL console happens at the Mix Bus but one bus is not always enough! Many high-profile mixers use multiple mix buses to create parallels or sub-groups of instruments, helping them to compress and manipulate sounds in unique ways. These 'tricks of the trade' are some of the most effective to help take a mix from 'good' to 'great'.
XL-Desk provides no less than 4 mix buses - A, B, C, and D. Mix A is the master bus, from which the final stereo mix is derived. This has its own 100mm fader. Mixes B, C, and D each have their own level of control and crucially, the ability to sum into Mix A. All 4 Mix Buses have Direct Outputs for DAW printing, separate standard stereo Insert points and have the ability to access slots 9-16 of the in-built 500 format rack.
Features
VHD Pre's
XL-Desk features 8 of SSL's
patented Variable Harmonic Drive (VHD) microphone preamps, built-in
to the first 8 channels of the console. The VHD pre can deliver clean SSL grade
recordings but also features the VHD circuit used in our acclaimed Duality
console* which can be switched into the signal path. The Variable Harmonic
Drive circuit uses a 100% analogue signal path to generate rich harmonic
distortion. As you increase the input gain, the Variable Harmonic Drive circuit
introduces either 2nd or 3rd harmonic distortion or a blend of the two to your
source material. At lower gain settings it adds gentle valve-style warmth or a
touch of transistor edge. As the gain is increased the more extreme the
distortion becomes until at high gain settings it delivers fierce trashy
transistoresque grunge. VHD pre's give the user the ultimate versatility from a
studio-grade preamp. Whether it's ultra-clean traditional SSL, subtle warming
or totally trashy transistor distortion, VHD will change your expectations of
what a preamplifier should deliver.
*Note: Duality has two different channel inputs; the SuperAnalogue mic pre (as also featured in the AWS and X-Rack Mic Amp Module) and a VHD input. XL-Desk uses the VHD input circuit, not the SuperAnalogue mic pre.
500 Format Slots
A 500 format rack, built into your SSL console
For many of our users
combining different tonal characteristics from a range of analogue equipment by
a selection of manufacturers is an integral part of their sound. The popular
modular '500 format' facilitates the use of a wide range of analogue processing
modules from different manufacturers. So, built into the penthouse of XL-Desk
is an 18-slot 500 format rack. This rack can be loaded with any combination of
SSL or third-party 500 format modules, as desired by the user. The in-built 500
rack offers the user the opportunity to add their own favorite sonic flavors to
their SSL console, whilst keeping it all within arm's reach. The XL-Desk rack
has its own dedicated power supply, separate from the power supply for the rest
of the console. Unlike many stand-alone 500 format racks the XL Desk rack has a
very highly specified power supply which should deliver sufficient power to
accommodate your selection of modules. SSL cannot guarantee compatibility but
has tested this rack with over thirty different modules.
Each of the mono channels of the
XL-Desk (1-16) has access to its own corresponding slot in the rack and the
channel strips access them via a '500' Insert button. The four Stereo channels
cannot access the 500 racks. Slots 17-18 are hard wired to Mix A to accommodate
a stereo mix bus compressor and XL-Desk ships with these slots pre-loaded with a 500 format module version of the legendary SSL G Series Bus Compressor. The
console will ship with a new version of this module which features a sidechain
HPF. The four Mix Busses can also access rack slots 9-16 (in stereo pairs)
although the Mix Busses and mono channels 9-16 cannot use the rack slots
simultaneously. The inputs and outputs of module slots 1-16 are accessible via
standard DB25 connectors on the rear panel. This does mean that the modules are
not hard-wired into the mono channel strips 500 Insert send/return, but the
console does ship with a set of external DB25 jumper cables to facilitate this
approach if required. The advantage of our opting not to hard wire the rack
into the channel signal flow is of course that if desired (and we do recommend
this), the rack can be connected to a patch bay for ultimate flexibility and
creating chains of patching between 500 modules. Furthermore, this means that
the 500 racks can be used 'standalone'. The 500 racks can also accommodate
stereo modules that comply with the pin 6 link specification - the switch to
assign an odd/even pair of slots to stereo operation is internal so must be set
before the module is fitted.
Monitoring
Comprehensive monitoring and communication
The monitoring system of any professional music environment is
one of the most important parts. XL-Desk offers a pristine, SuperAnalogue monitoring section, packed with useful features. There are three sets of stereo
monitor connections (Main, Mini 1 and Mini 2) plus a sub connection. These are
controlled by a front panel button matrix with individual Level controls. The
sub connection has bass management: When the SUB is engaged, the bass
management sums left and right signals through a 3rd order low-pass (high cut)
filter at 80Hz and sends the sum out of the Sub monitor output. Also, 2nd order
high-pass (low-cut) filters are inserted into the selected left and right
monitor outputs. The bass management on XL-Desk is intelligent. It will
remember if the SUB button is on or off for each speaker set. The Monitor
Source can be selected from; Mix A, a separate External rear panel input, or the
front panel iJack input and a Mono button folds down these monitor sources to
mono if desired. A Monitor SUM button allows any combination of these to be
summed and monitored. There is a large Monitor Level control and an associated
DIM button (with DIM Level control), CUT button, and an AFL Level control.
Having clear and easy
communication between the performer and the engineer/producer is crucial to the
smooth creative flow of a recording session. XL Desk has two Foldbacks with
individual Level controls and Talkback. Foldback A is fed by the CUE Stereo and
Foldback B is fed by Aux 1. MON buttons below each Foldback's level control
override the default Foldback source (Stereo Cue or Aux 1) and replace it with
whatever is selected as the main monitor source. This is really useful for
quickly playing back the studio control room mix to the performer(s) in the
live room. There is an in-built talkback microphone with a Talk button and
Level control. A set of DIP switches on the rear panel allow the TALK button to
be configured as latching or momentary. Also, Talkback can be set to either SUM
with or REPLACE the existing signal. A Listen button allows the engineer to
monitor a live room listen mic if one is connected and this too has a Level
control. XL-Desk also includes the classic SSL Listen Mic Compressor. This is
an aggressive compressor ideal for ensuring a very strong signal from the live
room listen mic but can also be used as a process effect to create the classic
heavily compressed 80's drum sound which was created using this circuit. The
XL-Desk Listen Mic Compressor has no controls, it is simply always on and it
has a dedicated external output to facilitate its use as a process effect.
For many of our users
combining different tonal characteristics from a range of analogue equipment by
a selection of manufacturers is an integral part of their sound. The popular
modular '500 format' facilitates the use of a wide range of analogue processing
modules from different manufacturers. So, built into the penthouse of XL-Desk
is an 18-slot 500 format rack. This rack can be loaded with any combination of
SSL or third-party 500 format modules, as desired by the user. The in-built 500
rack offers the user the opportunity to add their own favorite sonic flavors to
their SSL console, whilst keeping it all within arm's reach. The XL-Desk rack
has its own dedicated power supply, separate from the power supply for the rest
of the console. Unlike many stand-alone 500 format racks the XL Desk rack has a
very highly specified power supply which should deliver sufficient power to
accommodate your selection of modules. SSL cannot guarantee compatibility but
has tested this rack with over thirty different modules.
Each of the mono channels of the
XL-Desk (1-16) has access to its own corresponding slot in the rack and the
channel strips access them via a '500' Insert button. The four Stereo channels
cannot access the 500 racks. Slots 17-18 are hard wired to Mix A to accommodate
a stereo mix bus compressor and XL-Desk ships with these slots pre-loaded with a 500 format module version of the legendary SSL G Series Bus Compressor. The
console will ship with a new version of this module which features a sidechain
HPF. The four Mix Busses can also access rack slots 9-16 (in stereo pairs)
although the Mix Busses and mono channels 9-16 cannot use the rack slots
simultaneously. The inputs and outputs of module slots 1-16 are accessible via
standard DB25 connectors on the rear panel. This does mean that the modules are
not hard-wired into the mono channel strips 500 Insert send/return, but the
console does ship with a set of external DB25 jumper cables to facilitate this
approach if required. The advantage of our opting not to hard wire the rack
into the channel signal flow is of course that if desired (and we do recommend
this), the rack can be connected to a patch bay for ultimate flexibility and
creating chains of patching between 500 modules. Furthermore, this means that
the 500 racks can be used 'standalone'. The 500 racks can also accommodate
stereo modules that comply with the pin 6 link specification - the switch to
assign an odd/even pair of slots to stereo operation is internal so must be set
before the module is fitted.
Monitoring
Comprehensive monitoring and communication
The monitoring system of any professional music environment is
one of the most important parts. XL-Desk offers a pristine, SuperAnalogue monitoring section, packed with useful features. There are three sets of stereo
monitor connections (Main, Mini 1 and Mini 2) plus a sub connection. These are
controlled by a front panel button matrix with individual Level controls. The
sub connection has bass management: When the SUB is engaged, the bass
management sums left and right signals through a 3rd order low-pass (high cut)
filter at 80Hz and sends the sum out of the Sub monitor output. Also, 2nd order
high-pass (low-cut) filters are inserted into the selected left and right
monitor outputs. The bass management on XL-Desk is intelligent. It will
remember if the SUB button is on or off for each speaker set. The Monitor
Source can be selected from; Mix A, a separate External rear panel input, or the
front panel iJack input and a Mono button folds down these monitor sources to
mono if desired. A Monitor SUM button allows any combination of these to be
summed and monitored. There is a large Monitor Level control and an associated
DIM button (with DIM Level control), CUT button, and an AFL Level control.
Having clear and easy
communication between the performer and the engineer/producer is crucial to the
smooth creative flow of a recording session. XL Desk has two Foldbacks with
individual Level controls and Talkback. Foldback A is fed by the CUE Stereo and
Foldback B is fed by Aux 1. MON buttons below each Foldback's level control
override the default Foldback source (Stereo Cue or Aux 1) and replace it with
whatever is selected as the main monitor source. This is really useful for
quickly playing back the studio control room mix to the performer(s) in the
live room. There is an in-built talkback microphone with a Talk button and
Level control. A set of DIP switches on the rear panel allow the TALK button to
be configured as latching or momentary. Also, Talkback can be set to either SUM
with or REPLACE the existing signal. A Listen button allows the engineer to
monitor a live room listen mic if one is connected and this too has a Level
control. XL-Desk also includes the classic SSL Listen Mic Compressor. This is
an aggressive compressor ideal for ensuring a very strong signal from the live
room listen mic but can also be used as a process effect to create the classic
heavily compressed 80's drum sound which was created using this circuit. The
XL-Desk Listen Mic Compressor has no controls, it is simply always on and it
has a dedicated external output to facilitate its use as a process effect.
