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SSL 18
Description
A New Era Has Begun
Introducing SSL 18 - a new era in rackmount production
technology from Solid State Logic. Developed from our unmatched expertise in
analogue and digital design, SSL 18 offers exceptional audio performance with a
studio session-ready feature set, delivered with the signature SSL sound and
premium quality that professionals trust. Whether you are recording, producing
or mixing, SSL 18 enhances production workflows while elevating the performance
of your creative space, it’s the ultimate centrepiece for your studio. Welcome
to a new era in rack mount interface performance.
Best-In-Class Audio Performance
Next-generation 32-bit/192 kHz converters provide the
platform for SSL 18’s analogue design to shine, with unrivalled dynamic range
performance of 120 dB across all microphone, line-level and instrument inputs –
capture your sources like never before. Experience 125 dB dynamic range on the
monitor and line outputs to hear your music with uncompromised fidelity. Need
to work on headphones? No problem, with the unbeatable 120 dB dynamic range on
offer from the dual-headphone outputs.
32-Bit / 192 kHz / Unrivalled Analogue and Digital
Performance
8 x SSL-designed Mic/Line inputs
SSL 18 features eight high-performance SSL-designed mic
pre’s, with switchable Mic/Line configuration. Leveraging our renowned
engineering expertise, they deliver ultra-low noise recordings and a huge
dynamic range, making sure you capture every detail of the performance with
stunning accuracy. Their advanced 2-stage circuitry ensures ultra-low
distortion while maintaining the natural character of the source – or flip them
into Legacy 4K Mode to add real analogue saturation and the iconic 4000 series
sound to vocals, drums, and more. What's more, in Line mode the mic preamp
stage is completely bypassed - perfect for connecting external outboard gear.
Located on the front of the unit, inputs 1 & 2 also offer instrument/Hi-Z
inputs to capture DI’d guitars and vintage synths/drum machines.
120 dB Dynamic Range / -130.5 dBu EIN / Legacy 4K
Analogue Enhancement
10 x Line-outputs
SSL 18 comes equipped with ten balanced line-level
outputs located on the rear of the unit. To ensure optimal signal
integrity and maximise headroom, line outputs 1&2 and 3&4 can be
configured between +9 and +24 dBu, providing seamless compatibility with a wide
range of studio monitors and vintage equipment operating at lower
levels. Outputs 3 to 10 operate at +24 dBu, perfect for integrating
professional outboard equipment. For producers, all outputs are DC-coupled and
capable of sending control voltage to synthesizers and modular rigs.
Dual High-Performance Headphone Outputs
Custom headphone mixes with two independent
headphone outputs, configurable for different types with 'Standard', 'High
Sensitivity', and 'High Impedance' settings. SSL 18's headphone outputs can
also be repurposed as line-level outputs for added flexibility.
Monitor Controller + Talkback w/Listen Mic Compressor
SSL 18 features a full monitor controller section with
built-in talkback input. Line outputs 1&2 and 3&4 offer alternative
speaker switching with Alt and Cut accessible via the monitor controls located
on the front panel. Alternatively, customise the monitor controls via SSL 360
and tailor them to your workflow. SSL 18 also features a dedicated talkback
input channel that can operate in MIC or LINE mode. LINE mode is great for
re-processing audio through the classic Listen Mic Compressor - crush drums,
parallel vocals, and more.
Configurable monitoring section / Alt monitor switching /
Talkback input + Legendary Listen Mic Compressor
4K Legacy Analogue Enhancement on Every Analogue Input
Channel
The SSL 4000 series consoles (often referred to as ‘4K’)
are renowned for imparting a unique ‘mojo’ to sounds and instruments that pass
through them. This mojo comes from multiple stages of harmonic distortion from
compressor VCAs, VCA faders, and other crucial components such as the
transistor mix amps. Using modern components, SSL has developed a circuit that
distils the two essential characteristics of the 4K sound into a single design.
Legacy 4K Analogue Enhancement injects a controlled amount of finely-tuned,
sweet-sounding harmonic distortion and a ‘forward’ yet musical high-frequency
EQ boost into the signal path, giving your sound the 4K mojo and presence that
artists and engineers have loved for decades.
Real Analogue Saturation / Musical High-Frequency Boost /
Immortal 4K sound
Complete digital I/O
A host of digital audio connections means that SSL 18 is
ready to expand your I/O count whenever you are, with an additional 16 channels
via ADAT and a further two via S/PDIF. SSL 18’s dedicated Word clock output
provides rock-solid clocking for integrating external digital devices into your
system.
16 Channels of ADAT I/O
2 Channels S/PDIF I/O
Word Clock Output
SSL 18 Mixer, Powered by SSL 360°
The SSL 18 mixer offers comprehensive management of all
inputs and outputs, as well as detailed, scalable input metering in SSL 360°.
In the SSL 18 mixer you can create and manage the control room monitor mix, as
well as configure up to four independent mixes for performers. In addition, a
flexible Mirror Routing system allows you to route any input or aux master
directly to an output – perfect for feeding personal monitoring systems,
external metering and outboard FX. Create different templates for tracking,
mixing and more, then save them as a profile in the SSL 18 mixer.
Designed to make hit records
Designed by the same engineering teams behind the
esteemed range of analogue and digital mixing consoles, SSL’s rich heritage can
be found throughout the design and feature set. SSL 18 is the only product in
its category that is designed to properly integrate with professional outboard
gear, thanks to the +24 dBu capable inputs and outputs.
Key Features
- 26-in/28-out
USB-C audio interface for Mac and Windows.
- 8
microphone/line-level inputs.
4K analogue enhancement, Polarity Invert, High-Pass
Filters and 48V Phantom Power per channel.
Configurable analogue insert points for inputs 1 and 2,
great for tracking with analogue gear
Inputs 1 and 2 are switchable to instrument-level.
Line inputs bypass preamp – perfect for integrating
external preamps.
- 10
balanced line outputs.
Alternative speaker switching is available for pairs
1&2 and 3&4.
+9 dBu/+24 dBu output level configuration options for
pairs 1&2 and 3&4 to best match your monitors.
DC-coupled outputs are perfect for sending control
voltages to synthesisers and modular rigs.
- 2
independent, powerful headphone outputs with dedicated level controls.
3 mode options to suit different headphone impedances –
Standard, High Sensitivity, High Impedance.
Create custom headphone mixes.
Re-purpose as line outputs.
- +24
dBu operating level for inputs and outputs – perfect for integrating
professional outboard gear as hardware inserts.
- 16
channels of ADAT I/O at 44.1/48 kHz, 8 channels at 96 kHz.
- Next-generation
32-bit/192 kHz converters.
- Class-leading
audio performance in every area:
Best-in-class low-noise microphone preamps with
outstanding –130.5 dBu EIN and 67 dB gain range for working with any
microphone.
Best-in class 120 dB dynamic range across all inputs
& headphone outputs.
Best-in class 125 dB dynamic range on monitor and line
outputs.
- Comprehensive
management of all inputs and outputs onto the SSL 18 low-latency mixer.
- Create
the control room mix, plus an additional 4 custom monitor mixes with ease
– HP A (stereo), HP B (stereo), LINE 3-4 (stereo or dual mono).
- Flexible
Mirror Routing system to route any input or aux master directly to an
output – perfect for feeding personal monitoring systems, external
metering and outboard FX.
- Customise
the monitoring section front panel buttons to suit your workflow.
- Flexible
clocking options – internal (clock signal available on Wordclock output),
or clock from incoming ADAT or S/PDIF
- Dedicated
Talkback input with analogue Listen Mic Compressor (LMC).
Talkback input can also be used in LINE mode for the creative processing of stems through the LMC when producing and mixing.
- 2
channels of S/PDIF (coaxial or optical).
- MIDI I/O on 3.5 mm TRS jacks.
